native instruments kontakt vs elektron octotrack

#NATIVE INSTRUMENTS KONTAKT VS ELEKTRON OCTOTRACK UPDATE#

Also, the Oktatrack has no overbridge integration (this seems like a huge oversight by elektron).

The conundrum is i like the audio mangling of the octatrack, but i like the drum synth of the Syntakt. I mean, ive gotta record the midi data from each track into a midi clip in Bitwig, but after that, it does what i want. So i own the Digitone, and so far, overbridge looks to make this possible with that. This last part, the MPC can do in a bounced down audio stem of each track.

However, i would still like the ability to alter midi or settings from within the daw, and eventually bounce em down to individual audio tracks. I would then like to be able to split each track into their own tracks within Bitwig. I would like to be able to sketch out an idea by twisting knobs and sequencing on a piece of hardware. What i am hoping to accomplish, is a way to create songs in a more “live” sense. I really liked the MPC on paper, but after a week of trying to work it into my workflow/studio, i am realizing the computer and standalone sides to the MPC are stupidly seperated by a huge wall. I am seriously contemplating finding a way to trade my MPC Live II for either an Octotrack or a Syntakt. Machines can be assigned to a track in either the QUICK ASSIGN or PLAYBACK SETUP menus.I have read through a bunch of posts, but either the post is very old, or its not really answering my question. Flex samples do not experience these limitations and will always play back from the correct position no matter how heavily modulated the STRT parameter is. Parameter lock- ing the STRT parameter will however make the sample play back exactly according to the locked position. Once the Static machine catches up the sample will be played back from the correct start position.

#NATIVE INSTRUMENTS KONTAKT VS ELEKTRON OCTOTRACK UPDATE#

The crossfader can, but if the modulation is too fast the Static machine will not be able to update the start point position correctly, resulting in the sample not being played. The track LFOs can not modulate the STRT parameter of a Static machine. THE DIFFERENCE BETWEEN FLEX AND STATIC MACHINESĪpart from Flex samples being loaded to the RAM memory of the Octatrack and Static samples streamed from the Compact Flash card, a few other differences between the two machine types exist. The parameters found in the PLAYBACK and EFFECT 1/EFFECT 2 pages differ depending on the machine and effects assigned to the track. It is recommended that you first acquaint yourself with the parameters found in the MAIN pages before starting to experiment with the SETUP menu parameters. The parameters found in the SETUP menus open up for more in-depth control of a machine, track or effect. Read more on “TRACK PARAMETER PAGES” on page 67. The parameters on these pages affect the behavior of the machine assigned to the track. Read more about the various machine types and the controls available to them in “Appendix A: MACHINE REF- ERENCE“.Įach track has 5 TRACK PARAMETER pages, each consisting of one MAIN page and one SETUP page.

Thru and Neighbor machines offer vari- ous audio routing options. Flex and Static machines are used to process samples. For an explanation of the MIDI tracks, see the sectio n “THE MIDI SEQUENCER” on page 110.įor a track to be able to process or affect sound a machine needs to be assigned to it. This chapter will deal with the audio tracks. The Octatrack sequencer can control 8 audio stereo tracks and 8 MIDI tracks at the same time.

Native instruments kontakt vs elektron octotrack